pablo cahn is a talented producer hailing from and currently residing in bogota, colombia. “soul rain” is his third release on cadenza, and it comes with a massive remix by the spanish don paco osuna. the original mix of pablo is a long attractive dance floor tune textured by an overwhelming bass line and a deluge of vocal grains that shapes a large number of fills and break downs all over the track. as the journey go further, a complex twist of harmonies and resonances arise from the rhythmic grounds, shining over a blissful body of beats. paco osuna’s remix recap all the rhythmic elements and shrink the vocal drizzle maintaining their relevance to the building of the track. the bare inter-twin of its relentless bass line and its stinging hi-hats works out a magnificent outbreak of the dense original tissue of chords.

grandi successi is a project by angelo sindaco and maurizio carli moretti with guests like raime drummer valentina magaletti, soft moon matteo vallicelli, impro-avant combo starfuckers, jonathan clancy (singer of his clancyness) plus contemporary artist claudio corsello and writer-performer emidio clementi. angelo sindaco started producing electronic industrial music on tape in the mid 80 and dark techno during the nineties, releasing albums for acv, minus habens, eukatech and more. he has been the first techno dj in bologna (italy) at link club sharing decks with underground resistance, aphex twin, theo parrish and many others. maurizio carli moretti started djing in 1981 opening for killing joke and contorsions acts and then performing in clubs and art galleries mixing dark wave and electronic music.

grandi successi is a project by angelo sindaco and maurizio carli moretti with guests like raime drummer valentina magaletti, soft moon matteo vallicelli, impro-avant combo starfuckers, jonathan clancy (singer of his clancyness) plus contemporary artist claudio corsello and writer-performer emidio clementi. angelo sindaco started producing electronic industrial music on tape in the mid 80 and dark techno during the nineties, releasing albums for acv, minus habens, eukatech and more. he has been the first techno dj in bologna (italy) at link club sharing decks with underground resistance, aphex twin, theo parrish and many others. maurizio carli moretti started djing in 1981 opening for killing joke and contorsions acts and then performing in clubs and art galleries mixing dark wave and electronic music

die legendären britischen rough trade-shops starten mit -behind the counter- eine release-serie mit einflüssen und inspirationen ihnen beliebter künstler. den anfang macht der in berlin lebende, britische neoklassik- und filmkomponist max richter, der einen faszinierenden einblick in seinen musikalischen kosmos gewährt, aus dem er seine einzigartige, künstlerische vision schöpft. die 36-track-compilation enthält musik von mogwai, boards of canada, let s eat grandma, kaitlyn aurelia smith, godspeed you! black emperor, philip glass, aphex twin und low, sowie klassische werke von rachmaninoff und bach, und erscheint als doppel-cd mit zwei mixsets und als triple-lp mit allen ausgespielten tracks, samt einem download-code zu den beiden mixsets.

nice price deal !!! second release with more sonic experiments by psychologist for not even records.

nice price deal !!! random records is proud to release two new remixes of tracks from snaxs lp, special guest star. the limited edition vinyl release, entitled special guest remix, features reworks of two tracks: >special guest star< remixed by sven brede aka toxic twin and >the spark (feat. eric d. clark)< remixed by the rimshooters. berlin born and raised, toxic twin aka sven brede, has been a part of nightlife and club culture as a professional dj and producer ever since 93, his regular appearances in the capital having become legendary. his take on >special guest star< is classic yet modern tech house, inviting us in with ultra deep bass and then taking off with exhilarating vocals. the rimshooters are the fresh new production team of massimiliano pagliara and rotciv. dance lovers already know rotciv from his characteristic disco edits and productions released on his brazilian based label mister mistery. over the past two years, pagliara has thrilled us with sexy and slick tracks on labels such as live at robert johnson and balihu. together, they give >the spark< a stomping work over that will surely light your flame! this special 12inch package also includes the original versions of both tracks. but wait theres more! look inside and discover a bonus cd of snaxs entire special guest star album.

suction records is thrilled and honoured to announce the reissue of d arcangelo s self-titled debut ep for rephlex, the legendary uk label run by aphex twin and grant wilson-claridge from 1991-2013. d arcangelo are the italian duo of brothers fabrizio and marco d arcangelo, active in the underground electronic scene under various aliases since the early 90s, and still going strong today. released in 1996, their rephlex debut -d arcangelo- was one of the first releases to make a firm connection between contemporary idm/electronix and the sound of 80s synth pop. the 3 tracks on side a are ripping, industrial-strength electronix, as fierce, crunchy and menacing anything aphex twin himself had released at the time. in sharp contrast, side b s 3 tracks are playful, clean and melodic instrumental synthpop, with clear synthetic references to bands like depeche mode and omd. it was a sound that was certainly not in fashion at the time, and helped the ep stand out in 1996, for that very reason.

suction records is excited to unleash the 3rd vinyl ep in our series of archival releases by a rx-101 aka dutch producer erik jong, who recorded hundreds of afx / rephlex-inspired tracks from 1997 to 1999, which remained unreleased until now. continuing with our roland sh-101 themed artwork, rx-101 s -ep3- pairs the 101 with it s acidic little brother, the infamous tb-303. there s been a lot of renewed interest and hype surrounding the revival of acid techno in recent years, but rx-101 s acid offerings are not the slow n slinky variety favoured by most of today s acid revivalists. instead, ep 3 contains 6 tracks of crunchy, blown out, high-octane rave acid. long-time afx/rephlex fans will recognize the sound immediately - the 6 tracks found on ep 3 are eerily reminiscent of those sought-after rephlex classics, the universal indicator series of 12inches - released anonymously by aphex twin and his kosmic kommando on rephlex from 1992-1995..

brandneues material der britischen elektronikpioniere the radiophonic workshop, die, 1958 gegründet, zahlreiche soundtracks für die bbc produzierten, vom nme als -the british kraftwerk- bezeichnet und von the orb, four tet und aphex twin (der 2003 auf seinem label rephlex eine 4x10inch retrospektive veröffentlichte) verehrt werden. das neue album burials in several earths entstand in kollaboration mit synth-pionier martyn ware (the human league, heaven 17) und steve dub jones (mit dem grammy ausgezeichneter toningenieur der chemical brothers, unkle, new order). trw verbinden experimentell-analoge und neueste, digitale techniken zu eindringlich-atmosphärischen klangstrukturen.

solo project of vanishing twin (soundway) member. the song cucumuber sword feat. vocals by taishi nagasaka (fat white family) man from uranus has been making music inspired by the freakier edges of 60s and 70s library music and jazz for almost 2 decades, and like his predecessors - sun ra, space lady - he s never really fitted in, feeling more comfortable exploring cosmic realms than than with his feet firmly on his own planet. a prolific composer and home recordist, he has garnered a reputation for eccentric live shows, each presenting an entirely new repertoire. alien flowers, in a limited edition of 300, is one of few recordings capturing the spirit of an artist who is unwittingly on his way to attainting cult status. alien flowers has been played on nts, the wire s adventures in sound and music and the independent music podcast. support from the sunday experience, tom furse (the horrors), jonny trunk, doug shipton (finders keepers), emily bick (the wire) and anthony chalmers (baba yaga s hut).

already support by margaret dygas (perlon), jan krueger, pedro (arpiar), lamache, lowris, zendid, mr roussos ...
high ends recordings comes back with his second ep produced by the young and talented ashac, who makes his debut on aeternum music with an impressive 8 tracks lp. influenced by producers such as aphex twin, christian morgenstern or dimbiman, he offers three minimal mystery and obscure tracks full of machine grooves, modular glitch textures and hypnotic atmosphere.

play what they want features the vocal talents of laurie anderson contributors include, yo la tengo, mary lattimore, quince contemporary vocal ensemble, phil manley, brandee younger, brandon lopez, sam yulsman and ben lanz while colpitts’ previous albums have expanded on the possibilities and limitations of drums and percussion, this new album redefnes the project crossing the boundaries of jazz and modern contemporary classical having played in spiritualized, white hills, boredoms and marnie stern to name a few, john has made many tv appearances including jimmy fallon and is viewed as one of new yorks most acclaimed percussionists lp pressed on virgin vinyl housed in a spot uv gloss varnish jacket and includes a free download coupon.

there arent many artists that can lay claim to having put out records on labels as divergent as rough trade and john talabot’s hivern discs. perhaps this is because few artists express such genuine diversity in their musical tastes and creative explorations as david kitt. since the turn of the decade as new jackson he has mined a seam of driving, ghostly house to run parallel with his solo strand of ambient folk electronica. his debut release in 2011 the night mail on pogo channeled early record collection heroes aphex twin and orbital through to drexciya and projekt pm but had one foot firmly in the 21st century beaming in like some futuristic cyberballad. on the flip side hussle free had that mix of house and boogie sensibilities with dark and dusty synths and vocoder that would become a signature. this was followed by acclaimed releases on hivern, permanent vacation, major problems, apartment and most recently cin cin. his debut album set for release on all city in may was recorded in kitt’s bedroom studio overlooking dublin bay, its nocturnal hues very much a product of the nightshift often working on headphones with the rest of his housemates fast asleep. it takes full advantage of the scope of the lp format, ebbing and flowing between deep house club ready gems and more restrained and meditative beatless moments for the morning after. the recording process yielded many eureka moments with kitt finally nailing sounds that had hitherto proved elusive. a key moment was getting a bank loan to buy an sp 1200 sampler

the trap – dom & roland the only -dat- master copy of this track was lost 20 years ago in 1997 somewhere between dom s studio and music house in holloway road. dom has been searching for this holy grail of -amen choppage- since, the only reference to it a crusty recording of a grooverider show from 1998. at various points there have been glimmers of hope of the wearabouts of the track in its entirety, with much excitement from avid followers who have given -the trap- a status akin to a cult classic film. many years, rifled sheds, boxes and lofts later, the breakthrough everyone is waiting for happens. it is christmas 2016 and a subversive character from australia sends in the full original quality version, recorded from dat tape, to dom & roland productions hq. after a full going over in dom’s lab and a wonderful new mastering job by beau at 1087 the amen legend known only as -the trap- is ready to be unleashed. swarm – dom & roland depending on who you ask the dubplate of this track from 1996 was called dark skies or the swarm. one of the first tracks to feature dom s reworked alternating clean and distorted -flow break- which later went on to become a layer in dom s famous -tramen- break. swarm features the switch from light to dark dom has become famous for. featuring one of the largest mentasm basses ever cut on a record alongside the -subway- thump bass that dom later used when producing the -ed rush hit record- of the same name. it has remained an exclusive gem in dom s vaults until now. originally only cut on plate by the a list of metalheadz blue note, this blueprint of bass is finally seeing a release this year. dj play: aphex twin, amon tobin, fabio, grooverider, peshay, loxi, andy c, break, fierce, doc scott, dbridge, goldie, ant tc1, gridlok, marcus intalex, sb81, ulterior motive, noisia

language is a tricky thing. it’s possible to convey the most beautiful and heartfelt experiences with just a few words but meanings can be lost in translation. language itself being just a symbol pointing to the actual thing, like fingers pointing to the moon it’s key not to mistake the finger for the actual moon. if you do you might miss all the heavenly glory the finger is pointing to. the map is not the territory. kiani & his legion is back on sohaso with the next chapter in his sonic explorations. a mini-album that’s more than the sum of it parts, drawing you in with a story worth to be told. using a language that doesn’t need to be explained trough words, the symbols merge with their meaning trough sound. the story commences with a female voice whispering gently to you to ‘close your eyes and fly’ and while making your journey don’t forget to ‘breath’. you get introduced to the sturdy drum patterns and eerie string pads that have become main ingredients for kiani’s soundworld. eindeloos takes an irresistible groove and badass walking bass winding up between endless flanging spirals. oval flight starts out with the cheeky sound of an electric harp but inside it hides a seed that sprouts to enormous proportions. beneath the beauty you can feel something sweltering, wanting to expose itself. it links back to the beginning and finally lifts you off with a grand gesture. if you remember me then i don’t care if veryone else forgets, uses haunting atmospheres that remind of 80’s science fiction or the eerie vibes found in twin peaks to provide safe landing ground beneath the feet after your flight. l.o.v.e. forms an appropriate conclusion to the story, reflecting with a melancholic chord progression, soul healing choirs and the phonetic symbols ‘lima, oscar, victor, echo’ repeating till infinity.

brainwaltzera debuts on film. the anonymous producer, whose work has has already received online approval from legendary british idm auteur aphex twin, offers up an extended ep for the berlin based imprint. in 2015 a soundcloud profile under the name user18081971 - now identified as belonging to richard d. james, commented on curious brainwaltzera upload quilat spring 1 outtake. the move prompted speculation as to who exactly is behind the music. exquisitely produced and executed in such fine fashion so as to decry pure imitation - there’s plenty to theorise here. regardless of their true creator - which will undoubtedly remain a secret for the time being, the compositions on film006 are of similarly high calibre. varied in approach and marrying both electronic & acoustic elements with ease, the six tracks that comprise the record range from yearning ambient segues and dreamy down tempo grooves to otherworldly krautrock and more direct, dance floor fare - but remain bound tight as a cohesive and functional body of work by a glorious, arcane musicality. whether weaving soft electronic tones in and amongst snappy breaks or detuned drum-machine strikes, the artist’s ear for acoustic harmony is perhaps the pervading theme across the six tracks that make up the aecoba ep, marking it out as an excellent addition to the film labels growing catalogue

limited edition of 300 copies on 10 inch vinyl.
brooklyn musician and red bull music academy alum sam posner created el niño & the southern oscillations as a meditation on the the beauty and power of the ocean. the tracks flow through timeless electronica influenced by selected ambient era aphex twin and early larry heard as well as contemporary artists like carribou and jamie xx. posner sketched the framework and palate for the project over a few years of travel, bringing the final ep together in a sea-side cabin watching waves crash against the rocky maine coast.

haunter records’ 2017 kicks off with two new displays of aural expansion by longtime members of the milan-based crew. twin singles from weightausend and petit singe that also mark the label’s first ventures into 7” format. through heavy use of darkened breakbeats and angular dynamics, each of the two producers sets out to have their unique sonic approach ring on throughout the sprawl.
matthias girardi aka weightausend keeps on compiling his private neuroses in a process that seems to achieve catharsis through gloomy analysis and maniacal surgical dissection. hammering down on his dubwise tendencies and his love for the dark side of jungle, he gives out his most club-oriented work to date, channeling two new bassy rollercoasters, including a new version of “green death”.

haunter records’ 2017 kicks off with two new displays of aural expansion by longtime members of the milan-based crew. twin singles from weightausend and petit singe that also mark the label’s first ventures into 7” format. through heavy use of darkened breakbeats and angular dynamics, each of the two producers sets out to have their unique sonic approach ring on throughout the sprawl.
hazina francia aka petit singe returns to give a sign of what’s to come in the very near future. her transdimentional approach is always prone to punctuate the spiritually intense quality of her taste for melody with heavy barrages of drums organized into hard-hitting grooves. each of the two tracks manages to balance in her world of feral beauty, pummeling the dancefloor while also dragging into psychedelic stupor.

the second memories on wax release comes from jan svenson aka villa Åbo, one of the members of frak, and the man behind börft records and other projects such as zwarre.
duophonic mind is a 4 track release with 3 slow and heavy analog techno and a powerful remix by the emerging talent, estrato aurora.

two years on from his critically acclaimed self-titled debut lp and 2016’s similarly transcendent club hit safe/multiply, ghost culture is pleased to announce his new ep nucleus. due for release on phantasy, nucleus, captures the enigmatic london artist’s signature sound in the reflection of unexpected, vibrant new lights. leading with the understated groove of ‘coma’, ghost culture quickly reaffirms his unwavering ability to hold the collective energy of a dancefloor, yet colours his latest work with a sense of intimacy and experimentation that resonates stronger than ever. ‘ico130’ explores almost every facet of ghost culture’s electronic form, as gasping synths and stuttering drum patterns flirt with an aching, unfurling emotional vocal sample, acknowledging both classic idm influences such as aphex twin and authechre, while subtly nodding towards contemporary, crystalline rnb. the ep’s centrepiece, ‘ngc1275’ adds flavour to a stirring, reflective acid line, amid a complex flurry of minor deconstructions and distortions, highlighting ghost culture’s unique, contrarian ability to inspire both beckoning darkness and escapist fantasy through his work. while the opening half of the five track ep is more primed for the night, nucleus’ leads to an introspective denouement. ‘perseus’ pits raw electronics against a framework of loose, lucid drums, before ‘ngc1265’ delivers a wistful, brooding conclusion that makes an emotive case that impacts powerfully across just a short sketch.

just listen records and his beatmakers crew, grim reaperz, present their new ep, the cycle ep, with infamous mobb west (big twins, ex twin gambino, from ny & xp from rhyme addicts from l.a.). this new ep offers two new original tracks, “the cycle” and “dollars & cents” as well as an alternative version which features an a list of french underground mcs. limited to 500 copies worldwide!

hinter la priest (gesprochen lah pree-st) verbirgt sich sam dust, elektronischer musiker und ehemaliger frontman und treibende kraft hinter dem englischen new rave outfit late of the pier. jetzt ist dust unterwegs auf solo-pfaden mit seinem debütalbum -inji-. dust verbrachte nach 2010 einige zeit in grönland, wo er die elektro-magnetischen phänomene der region ivittuut studierte und nebenbei an über fünf geheimen musikprojekten arbeitet - so mancher daraus entstandener output stieß auch ohne nennung seiner mitwirkung auf öffentliches interesse. inspiriert von künstlern wir david byrne, prince, aphex twin und nicht zuletzt blood orange ist -inji- nun ein überaus gelungenes album. zehn nonkonforme tracks existieren in ihrer eigenen welt und folgen ausschließlich der logik des la priest universums. pop aus einer anderen dimension sozusagen.
das 180 gramm vinyl erscheint im klappcover inklusive downloadcode.

released three years after stoned raiders movlp1727, latino hip hop group cypress hill returned in 2004 with their seventh studio album “till death do us part”. on this album they flirt with reggae, particularly on “what’s your number” sampling the clash’s “the guns of brixton” plus “ganja bus” featuring vocals from damian marley. “latin thugs” is a characteristic cypress hill latin-mariachi rap and b-real rocks with a clever cover of the beastie boys “paul revere” retitled “busted in the hood”. awarded with 4 stars out of 5 by rolling stone magazine, “till death do us reached #21 on the billboard 200 albums chart and #23 an the top r&b/hip-hop albums chart.
pressing on 180 gram audiophile vinyl.

“remain calm” nennt sich die kollaboration zwischen der musikerin mica levi (micachu & the shapes/rough trade) und dem ebenfalls aus london stammenden cellisten oliver coates. an der schnittstelle zwischen klassik und elektronik erkennt man einflüsse aus grime, techno und drone und schattierungen von iannis xenakis, aphex twin, burial und scott walker-filmmusiken. das album erscheint auf dem label slip, das von london und berlin aus neue, experimentelle, elektronische musik veröffentlicht. die vinyl-lp erscheint inklusive downloadcode.

london-based producer keyboard masher has been flying out a no-nonsense brand of disco-infected grooves since 2010 on their own km editions label. devoid of hype and placing the emphasis on the music, the eighth installment in this crucial series of seductive late night jams packs in more boogie than you can shake a particularly funky stick at. -ferry home- strikes an irresistible 80s note with its live band undercurrent, while -i m still qualified- slinks down into a more sultry mood before -twin magjik- heads skywards on a bed of twinkling synth tones. sweet disco tones don t come fresher than this.

a journey through a twin world powered by life experiences. moments soundtracked by inevitable encounters and occurrences. psychedelia and ambient collide over ten tracks to create a rich and lucid colour palette of sounds, all fused together by a deep rooted love of glitch and electronica, that somehow stops the listener from venturing too far into the unknown.

“overview effect” heißt das debütalbum des londoner komponisten und multiinstrumentalisten roger goula. das ambiente und experimentelle album erscheint auf cognitive shift recordings, dem neu gegründeten label für zeitgenössische klassische musik, in zusammenarbeit mit one little indian und wurde durch erfahrung von astronauten und kosmonauten inspiriert, die vom orbit aus unsere erde betrachten. goula vereinigt darauf sowohl einflüsse von barock-, renaissance-musik (monteverdi, bach, vivaldi) mit minimalismus (reich, glass, part) als auch mit texturen und sounds der electronica (aphex twin, autechre).
die doppel-lp erscheint auf 180 gramm vinyl inklusive downloadcode.

units and measurements is the collaborative project of christopher hreno, mathew jonson and colin de la plante. the project sees these long times friends and veteran producers exploring the limits of hardware based improvisation and deep synthesis and effects programing . documenting a single epic 24 hour session at jonson s mothership studio in berlin, this first release sees the trio exploring some of the headiest ambient and tunneling hypnotic techno to be found in any of their admittedly vast individual back catalogs. this release is without question a portrait of 3 masters of their craft at work, and quite unlike anything else you are likely to hear this year. units and measurements will be available in a double vinyl and digital formats on november 4th via blkrtz, with worldwide distribution via kompakt.

infiné präsentiert einen bezaubernden release zwischen moderner klassik und spooky electronica. der mexikanische ambient-pionier fernando corona aka murcof und die mehrfach ausgezeichnete französische pianistin vanessa wagner zelebrieren ihre gemeinsame liebe zum minimalismus. auf dem album statea interpretieren die beiden ausnahmekünstler werke von arvo pärt, philip glass, john cage, ligeti, erik satie und aphex twin und eröffnen so eine neue perspektive auf die werke

avesom (name inspired by the dog of justin bennett, the sound technician that mixed the album) are creations produced during long reharsals sessions that have taken place mostly during sunsets and late nights. there torakiki inmersed themselves in a trip where the music achievable with their own finger was tested, rejecting in advance any programming. the overall sound of the album follow the path of the previous ep, halfway between the new wave and ambient. the band aims references from aphex twin, liars, jamie xx and on the other side, classical sounds from the italian song. in the album participate the voice of ilaria ippolito (# #pap ) and of gulia olivari (o.a.u.). the video of luxard was shot by giovanni aloi in a park in hong kong.
torakiki filled the pieces of avesom with a strong dynamic identity, combining the creative impulses of the three minds and their respective backgrounds. this is a process that questions the logic through a frenetic impulse that provokes constant changes, even though the final result are attainable and catchy songs.

nice price deal !!! atmospheric disco flavoured 3 tracker by matteo marini!!

after 2 revered releases since the turn of the year, weekend circuit return, welcoming alfredo mazzilli for his first ep on the imprint. versatile in sound and challenging in his approach, alfredos invisible entity ep masterfully pushes ambitious ideas with great vigor to an international audience ever more ready to listen. with artists such as donato dozzy, aphex twin, sandwell district, dino sabatini and substance making up a strong part of his most notable influencers, alfredo favours the ambient & deep depths of the dark side of techno. enigmatic and unrestricted, side a starts with alfredo s original invisible entity. a steadily unfolding juggernaut, the emerging energy soon engulfs the entirety of the track, percussian transcending the gloaming synth sound throughout. zadig s beckoning bass and kick drum driven remix will see sonic nods across the club with this four-on-the-floor gristle. statiform region is techno s answer to a cinematic interlude. a testament to alfredos lilting synth ability. no way out kicks off the b side, with a algorithmic tinkering of sonic vs low hits and stabs. rounding up, echologist does what echologist does best a scattershot of intertwined and precarious techno sound, spliced with industrialised power

young producer from amiens, duns scott first fell in love with rock and post rock. it’s after coming across the music of boards of canada, aphex twin and other warp artists, that he starts delving into the many subgenres of electronic music. eventually, he becomes a proper record digger of jazz, funk and disco, which will deeply affect his music writing. neidio is the outcome of a mixture of influences, each tune with its own idio yncratic sound and story. timelanding was drafted as if a real studio session with actual musicians was happening, the jazz vocal samples try to instate the synergy of musicians interacting with each other. neij is the imaginary soundtrack of a dream inspired by the art cover of the ep. mixed by duns scott / masterized by sven weisemann.

basil & rogers is a sleazy, california disco duo made up of heru (dj) johnny basil and body rogers. basil, a multi-instrumentalist, long-time record collector, and energy healer is a man that s been making music for a long time under many different guises and in many different styles. heru avenger (acid/psych rock), non stop (electronic/free jazz), baast (kraut rock/jazz funk), and kandi jones (slut rock) are just a few of his projects, past and present. most of this music has been around for the entirety of the 90 s and 2000 s without being heard because despite basil s outspoken appearance (described by many as looking like iggy pop s twin brother and would never be caught wearing a t-shirt no matter the location) he s very quiet about his musical output. body rogers is also part of the non stop group and is a master of electronics and engineering. on the basil & rogers project the two have made a disco 12- that is influenced by classic-era dance music while still being completely unique and far from conforming. it s crazy, it s sexy, and it s sleazy. tune in .

without coverartwork - emmanuelle returns to deewee with an italo influenced 12 inch produced by david and stephen dewaele of 2manydjs / soulwax and recorded at deewee studio, gent. luomo daffari sees emmanuelle swich between her native italian tongue and english advising you to not hide behind that suit and tie. if tom tom club hung with aphex twin in the hills of naples in 1980 they may have arrived here. italove is pure dancefloor magic. syncopated rolling synths with emmanuelle as chanteuse again cutting between italian and english to the sound of disco and harps. its a beautiful thing. she loves you. sleeve design by ill studio, paris.

limited rsd release on translucent, red coloured 180 gram vinyl in gatefold sleeve. includes comprehensive sleeve notes explaining back stories to each track, as well as a special two verse poem penned by clarke himself.

4th part with slammin minimal hypnotic stuff

the uk s newly inaugurated future primitive label holds a candle to its name by unearthing two leo anibaldi productions from deep within the roman s voluminous back catalogue. the two-track 12- debut sees anibaldi provide the label with a contemporary stretched edit of 1994 production -fusion 1-, a cut lifted from the aeon ep originally released on the now defunct italian label, acv. future primitive has also given ambient number -evocation part ii- a full remaster and b-side privileges, honouring an esoteric production from anibaldi s void lp that was originally released on aphex twin s rephlex label in 1996.

sacral bass driven ceremonies out of the crypt of swiss artist and producer bit-tuner. 16 tracks exploring the lighter side of darkness, deepness and hypnotic ritual endeavours. in his energy-driven music and concerts, bit-tuner oscillates between bass music, electronica and techno, while he pulls his tracks together to become a gloomy, but euphoric bass monster. bit-tuner stands for heavy beats, blown up bass sounds, vicious dreamscapes, acid-driven melodies and disarming harmonies.

french composer and multi-instrumentalist pierre bastien delivers the latest entry into morphines increasingly diverse catalog. active for over four decades, bastien is best known for building automated orchestras, and his most recent lp, machinations, was released on aphex twin s rephlex label in 2012.
for this latest work, bastien recycled components of his silent motors live set and assembled new mechanical organisms—using amplified meccano parts, motors, fans, rattles, paper, and nails—to generate rhythmic scaffolding. live instrumentals, from prepared trumpets to the african kundi harp, javanese rabab, sanza, electric harpsichord, bass, drums, and gongs, were then superimposed on top.

exclusive heavyweight 180 gram double vinyl in gatefold sleeve

this is the birth of b00m jack s new baby my dear friends n freaks... being asked to describe the 22 year old german musician kolja gerstenberg - one possible answer could sound like that he might be the lost twin brother of jamie jones (but it s just one among many other suitable answers) the youngster and music student (he s studying drums at university) kolja is a total opposite of the typical modern-music-scene-kind-of-guy as he sticks to his passion, which is house music in it s classic disguise like 20 years ago. kolja is not interested in following hypes or trends. what he loves are raw & dirty us house like trax or disco house flavoured tunes with loads of jazzy smell and glitter all over. kolja is and will stay real & authentic by keeping this behaviour. he is not aiming at superfi just for the higher potential of success or money or fame . . .

>flow motion< often is considered one of their more accessible releases - featuring the classic track >i want more< and the baleric title cut, cited by fsol, aphex twin, mars volta, and countless others as a major influence. 7 tracks, picture sleeve, 180g vinyl + mp3
-flow motion-, das achte studioalbum von can, wurde 1976 bei virgin veröffentlicht. das album ist stark von cans liebe zum reggae beeinflusst, der erste titel -i want moore-, fast ein disco-track, wurde als single ausgekoppelt und erreichte chart-platzierungen in deutschland und großbritannien.

- die lp erscheint als 180g vinyl inkl. mp3-download codes

credit
irmin schmidt - keyboards, vocals
jaki liebezeit - drums, vocals
holger czukay - bass, vocals
michael karoli - guitars, violins, vocals

shortly after his first ep on dnuos ytivil, sub-division of bristol imprint livity sound, simo cell, neo-parisian and nantes native, puts his second release out on fragil musique. on this one, the young producer asserts his bass-tainted electro influences. highly skilled and very technical dj, but above all open to bridges between genres and eras, the record feels like he conceived it for his own club usage. on the a side, two subtle twin tracks, -reading rashid- and -soko ban-. cycling melodies and hypnotic pads sketch two bass outlines, as simple as effective, that seem perfectly fit for switching from a stripped down techno track to an old jungle weapon. on the flip, hit track -meteor racer- is surprising. a rawer and more stripped down electro piece that lifts the veil a bit more on the young producers talent. those four brilliantly crafted track definitely place simo cell among the french newcomers to watch closely.

nice price deal !!! aaacid003 is the second ep from amir alexander s richie ratchet moniker. the major difference in the work of richie and his twin brother jack ingoff is the clever use of vocals. singlehandedly writing new chapter in the acid house manual with off kilter polyrhythms, odd time signatures, and unconventional tongue and cheek topics, amir through his aaacid label continues to go from strength to strength as he seeks to refine and progress the artform of acid jack. field tested, all 4 of these tracks have been putting in work world wide and moving dancefloors to a sweaty frenzy in the process. just an prolific artist expressing himself, having fun, and adding something unique to the culture. modern acid for forward thinking underground heads.

endlich ist * pause*, das zweite album des elektronikpioniers four tet wieder auf vinyl erhältlich! ...
nach dem erfolg seiner post-rock band fridge begann kieran hebden seine solokarriere als four tet. nach der veröffentlichung einiger high-profile remixe, unter anderem für apex twin auf einer warp compilation, erschien sein debütalbum ‚dialogue‘ 1999 auf trevor jackson’s legendärem output recordings. sein bahnbrechendes zweites album * pause* erschien erstmals 2001 auf domino, und wurde von der presse oft als folktronica-album beschrieben. nach einigen jahren ist das album jetzt endlich wieder auf vinyl inklusive downloadcode erhältlich!

very strong one again from this very on point label. on this brilliant ep twin peaks tinged electronics cross with fuzzed out and tripping house, very appealing 12inch that ticks a lot of boxes down here at rh. mr martelli is in a very good zone. tip!

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